Production: Shochiku-Fuji / Bandai
Color / Length: Color, 98 minutes
Director: Takeshi Kitano
Actors: Masahiko Ono, Yuriko Ishida, Takahito Iguchi, Minoru Iizuk, Takeshi Kitano
Boiling Point is an early entry into the Yakuza-Eiga genre of Takeshi Kitano. Kitano wrote, directed and starred in this film as he does many others. Many of the “Kitano” traits in the film are prevalent to his later works, specifically Sonatine. Violence is displayed without remorse or aggression, just something that happens and needs to be done, like getting gas for your car or cooking a hot dog. Also, those strange comedic occurrences between violent acts are continuous through the later part of the film, usually at someone else’s expense. Always a goodtime for “What the F***?!” and laughs. Unlike other Kitano movies, he is not the focal character in Boiling Point, although when he does appear on screen, he brings the most memorable and exciting moments of the script to the audience.
The ballpark story: Iguchi (Gadarokanaru Taka) is a baseball coach for a junior league baseball team. He is an ex-Yakuza. Although a straight citizen now, he still harbors the attitude and character of someone in the underworld. Masaki (Yurei Yanaji), an unmotivated slacker and his chums Kuzuo (Danken) and Akira (Makoto Ashikawa) play on Iguchi’s baseball team. Masaki also works at a gas station and while half-ass attending a Yakuza’s car, gets into a fight with him. The yakuza fakes injury and his Otomo Group wants payment as compensation. Iguchi used to belong to the Otomo group and tries to mediate for his young teammate. As a result, Iguchi beats up Muto (Bengal) of Otomo for disrespecting him. In retaliation, the Otomo group corners Iguchi and gives him a beating. Afterward, Iguchi plans a trip to Okinawa to buy a gun for revenge.
In his stead, Masaki and Kuzuo decide to go to Okinawa to obtain the weapon. When they arrive they meet a local Yakuza named Uehara (Kitano) and his buddy, Tamagi (Katsuo Tokashiki). Uehara is an uncontrollable yakuza that attacks at the drop of a hat. He is in bad standing with his own organization and has to repent by chopping off a little limb (which he doesn’t do). While with Uehara and his cohorts, Masaki and Kuzuo are propelled into many bizarre scenarios, such as: beatings, shootings, sex, dismemberments, homosexual advances and many awkward situations. They are the Tokyo bumpkins of the Okinawa underworld.
Soon enough, the charades end tragically and the boys are sent back to Tokyo with their new toys. Their well thought out plan of revenge takes a turn for the worse and Kuzuo and Akira are beaten badly while Masaki flees. Shamed by his selfish act, Masaki initiates a final explosive attack on the Otomo group.
My two-cents:What the hell are “Butterfly Eggs”? Anyway, this was solid early entry in the Kitano filmography. Those fan boys of his later films will certainly enjoy Boiling Point and can appreciate his style and methods commonly seen in his works. Make no mistake though; this is not one of his better flicks. Although, I’d say it was definitely in the top 5 of Kitano films (like No. 5). My only complaint was that Kitano didn’t show up on screen until 45 minutes into the movie. Also, does anyone else think that Kitano might be a little light in the loafers? Not that it bothers me, to each his own, but there seems to be an awful lot of fancy-boy awkward moments in many films in which he appears (ie. Gonin, Kikojiru, Boiling Point…). Anyway…sissy-boy or not, Kitano still cranks out a very satisfying Yakuza movie, like a snickers bar for the appetite. There’s enough violence and laughs to make us all piss ourselves for an hour and a half. If you’re an a-hole fan like I am, just buy the damn DVD. A stepping-stone flick that most Asian film dorks (like myself) will appreciate.
Guest Reviewer: Steven McVey
3 1/2 Kitanos
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